'Fullerton is a former Reuters foreign correspondent and hasn’t forgotten how to tell a story.ArtRage 5 enables you to choose options such as how much paint is loaded and how well it mixesĪnother new feature in version 5 is its ability to import photos or images as both reference images and tracing images. The Young British Artists could not have asked for a better biographer' 'Fullerton writes about contemporary art in an engaging, exciting and insightful way. 'A vibrant account of how Hirst, Lucas, the Chapmans et al came to noisy prominence' 'A sober account of an intoxicating time, but it is well researched and very readable …There is no escaping the fact that it has been the best 25 years in the history of British art' Students, researchers and curators looking back in years to come will be grateful for a publication that goes beyond cheering and sneering to document that period of British art history, and document it well'įarah Nayeri, Culture Writer for New York Times in London 'Her account of the rise and rise of the now not-so-young British artists is a well-written as well as a necessary book. 'Mess-making is the subject of Elizabeth’s Fullerton’s riotous Artrage!: The Story of the BRITART Revolution, which documents the antics of the upstart provocateurs who aimed, as the Chapman brothers declared, to unsettle civilisation and mock the notion that art has a moral purpose' It catches the brio of the people involved, charts the connections that they forged the friendships, the fall-outs, the partner swapping. 'An excellent primer on the rise and fall, successes and failures of a moment in British art.
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